Friday, 1 March 2013

New Vimeo Features



Vimeo has introduced the ability to add 'looks' to your videos.
It's a bit like Instagram for video and it adds a graded look to your entire video.

At the moment it's free so get over to https://vimeo.com/enhancer and have a play.
In the future you'll have to pay $0.99 for each effect.

It's powered by Vivoom if you have to know and the interface is nice and simple and it's easy and fun to use. Would I use it professionally? Nope, but there's nothing wrong with a bit of fun. Would I pay $0.99? Probably not.

If they can get it working with a mobile phone interface I'm guessing it'll become more popular.

Vimeo has also introduced the ability to add music to your videos. There are even some free tracks on offer.

Monday, 25 February 2013

Free Film Burns

They're free; they're film burns.
Well, they look more like lens flare to me, but they are still nice.
And they're free.

Go to Digital Cinema Foundry to find out more.

Wednesday, 20 February 2013

SPOD

That feeling when you fumble the mouse and click the drive in the Events list rather than the disclosure triangle next to it, and FCPX dutifully loads every. damn. clip. on. the. drive?

That.

Still waiting.

Ugh.

Saturday, 2 February 2013

Weirdest timeline I've ever seen

This looks ridiculous:


Narrative parts are multicamera blocks, in between which I have not quick-cut montage but composites of multiple clips drifting across the canvas. Those are the vertical stacks. I've never seen a timeline that looked even vaguely like this before.

Sorting out the audio is going to be a nightmare.

Thursday, 31 January 2013

FCPX isn't slow. Your momma's slow.

If you fiddled around with the FCPX trial back when it first arrived, you'll have thought things like: “This feels just like handling real film… with boxing gloves on” and “I’d be quicker doing this in Movie Maker.”

Bits of Final Cut X were very quick. Some of it was treacle-slow. Moving between supposedly ‘open’ timelines cuts projects[1] was beyond treacle-in-winter-shot-on-a-Phantom slow.

Alongside all the headline improvements since version 10.0.nothing, a huge amount of spit-and-polish work has been done. It’s only 10am, but for the tenth time today already I’m thankful that switching sequences storylines events projects[1] is now instantaneous.

[1] FFS.

Wednesday, 30 January 2013

Right-click everything. Like… everything.

See that thing? Yeah, that. Whatever that is. Right-click it. Anything happen? No? Try that other thing.

You know the itty-bitty little drag handles that are the correct way of doing audio crossfades (rather than the hair-brained bastard transition nonsense Dza favours)? Right-click that.

Win. And yes, the constant-power +3dB fade is default, as is right and proper, but there are times when a long tail -3dB is called for.

I've never used a linear fade.

Tuesday, 29 January 2013

Remap your fucking keyboard


Dza discovers ⎇I / ⎇O to clear in/out points. Real editors remap their fucking keyboards so ⎇X is 'Clear Selected Ranges.'


Like it always was.